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Let's bridge the gap between public school music programs and community practices!

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This website explores the intersection of multimodal music education, decolonization, learning theories, and instructional design to propose a framework for addressing the evolving needs of high school music programs.

 

Grounded in insights from the Nutana Collegiate music program and enriched by decades of scholarly research, this page highlights the transformative potential of integrating synchronous, asynchronous, and in-person learning modalities. It challenges the colonial legacies entrenched in traditional music education, and advocates for practices that validate diverse cultural narratives and promote inclusivity.

 

This framework draws from constructivist and connectivist learning theories, situating music education as a relational, participatory process that fosters student autonomy and well-being. By incorporating instructional design principles, it presents scalable, sustainable suggestions for a post-pandemic educational landscape.

References

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Allsup, R. E. (2008). Creating an educational framework for popular music in public schools: Anticipating the second wave. Visions of Research in Music Education, 12, 1–12.

 

Allsup, R. E., & Benedict, C. (2008). The problems of band: An inquiry into the future of instrumental music education. Philosophy of Music Education Review, 16(2), 156–173.

 

Bowman, W. (2005). The limits and grounds of musical praxialism. In D. J. Elliott (Ed.), Praxial music education: Reflections and dialogues (pp. 52–78). Oxford University Press.

 

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Bruner, J. S. (1986). Actual minds, possible worlds. Harvard University Press.

 

Campbell, P. S. (2018). World music pedagogy: Volume III. Routledge.

 

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Dewey, J. (1938). Experience and education. Macmillan.

 

Driscoll, M. P. (2005). Psychology of learning for instruction (3rd ed.). Pearson.

 

Elliott, D. J. (1995). Music matters: A new philosophy of music education. Oxford University Press.

 

Ertmer, P. A., & Newby, T. J. (1993). Behaviorism, cognitivism, constructivism: Comparing critical features from an instructional design perspective. Performance Improvement Quarterly, 6(4), 50–72. https://doi.org/10.1111/j.1937-8327.1993.tb00605.x

 

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Gagné, R. M., Briggs, L. J., & Wager, W. W. (1992). Principles of instructional design (4th ed.). Harcourt Brace Jovanovich College Publishers.

 

Green, L. (2008). How popular musicians learn: A way ahead for music education. Ashgate.

 

Hess, J. (2021). Music education and the colonial project. In R. Wright, G. Johansen, P. A. Kanellopoulos, & P. Schmidt (Eds.), The Routledge handbook to sociology of music education. Routledge.

 

Jonassen, D. H. (1999). Designing constructivist learning environments. In C. M. Reigeluth (Ed.), Instructional-design theories and models: A new paradigm of instructional theory (Vol. 2, pp. 215–239). Lawrence Erlbaum Associates.

 

Jonassen, D. H. (2011). Learning to solve problems: A handbook for designing problem-solving learning environments. Routledge.

 

Koskela, M. (2022). Democracy through pop? Thinking with intersectionality in popular music education in Finnish schools [Doctoral dissertation]. Sibelius Academy: University of the Arts Helsinki.

 

Lave, J., & Wenger, E. (1991). Situated learning: Legitimate peripheral participation. Cambridge University Press.

 

Langridge, A. (2023). Is connectivism viable? Journal of Learning and Technology, 49(2), 23–41.

 

Larson, M. B., & Lockee, B. B. (2014). Streamlined ID: A practical guide to instructional design (1st ed.). Routledge.

 

Larson, M. B., & Lockee, B. B. (2019). Streamlined ID: A practical guide to instructional design (2nd ed.). Routledge.

 

Larson, M. B., & Lockee, B. B. (2022). Streamlined ID: A practical guide to instructional design (2nd ed.). Routledge.

 

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Merrill, M. D. (2013). First principles of instruction: Identifying and designing effective, efficient, and engaging instruction. Wiley.

 

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Reigeluth, C. M., & Carr-Chellman, A. A. (2009). Instructional-design theories and models: Building a common knowledge base (Vol. 3). Routledge.

 

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Siemens, G. (2005). Connectivism: A learning theory for the digital age. International Journal of Instructional Technology and Distance Learning, 2(1), 3–10.

 

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Wiggins, G., & McTighe, J. (2005). Understanding by design (Expanded 2nd ed.). ASCD.

 

Wright, R. (2010). Democracy, social exclusion and music education: Possibilities for change. Action, Criticism & Theory for Music Education, 9(3), 1–21.

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Decolonizing, Democratizing, and Modernizing

Saskatchewan Public School Music Education

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A Responsive Multimodal Instructional Design Framework

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